Volkslied, WAB 94

1882 song composed by Anton Bruckner
  • First setting: Soloist and piano
  • Second setting: TTBB choir

The Volkslied ("National hymn"), WAB 94, is a patriotic song composed by Anton Bruckner in 1882 for a competition for a Hymne für das Deutsche Volk in Österreich (Hymn for the German People in Austria).

History

On 16 October 1881, the Deutsche Zeitung invited submissions for a text für eines sangbares Nationallied (for a singable national hymn). From 1,750 texts entered, Josef Winter's was awarded the first prize. On 1 January 1882 a second invitation appeared for a Hymne für das Deutsche Volk in Österreich (Hymn for the German People in Austria), for men's choir as well as for voice and piano. Bruckner, as one of the 1,320 participants, sent a sample of both settings. No prize was awarded for any of the submissions.[1][2]

The manuscripts are stored in the archive of the Österreichische Nationalbibliothek and the Bibliothèque nationale de Paris.[1] The two settings were first published in Band III/2, pp. 191 and 192 of the Göllerich/Auer biography.[2] The setting for voice and piano is issued in Band XXIII/1, No. 6 of the Gesamtausgabe.[3] The setting for men's choir is issued in Band XXIII/2, No. 32 of the Gesamtausgabe.[3]

Lyrics

The song uses Josef Winter's lyrics:

Anheben lasst uns allzusamm'
Ein Lied von starkem Klange,
In Österreich den deutschen Stamm
Lasst preisen uns mit Sange.
Die auf die Ostmark einst gestellt,
Dem Feind den Weg zu weisen,
Sie stehen heute noch im Feld
Und halten blank ihr Eisen.

Let us raise together
A song of powerful sound,
Let us sing praise
To the German tribe in Austria.
Those, once positioned on the Eastern march
To show the enemies the way,
They still stand today in the field
And hold their weapon readily.

Music

There are two settings of the Volkslied WAB 94:

  • A 34-bar-long setting for voice and piano, which uses the first strophe of Winter's text.[2]
  • A 67-bar-long setting for men's TTBB choir, which uses the six strophes of Winter's text.[4]

Discography

Setting for voice and piano

There is no commercial recording of this setting. A live performance by Raymond Armstrong (1 April 2017)[5] is available in the Bruckner Archive.[6]

Setting for men's choir

There is a single recording of this setting:

  • Thomas Kerbl, Männerchorvereinigung, Weltliche Männerchöre – CD: LIVA 054, 2012 – 1st strophe only
Note
The Volkslied has been performed at the Brucknerfest 2022 (Brucknerfest 2022 - Krieg und Frieden (29-09-2022)). A recording is available in the Bruckner Archive.[6]

References

  1. ^ a b U. Harten, pp. 469-470
  2. ^ a b c C. van Zwol, p. 718
  3. ^ a b Gesamtausgabe – Weltliche Chöre
  4. ^ C. van Zwol, p. 729
  5. ^ University of Oxford: 1 April 2017 evening concert in Hertford College Chapel
  6. ^ a b Bruckner Archive

Sources

  • August Göllerich, Anton Bruckner. Ein Lebens- und Schaffens-Bild, c. 1922 – posthumous edited by Max Auer by G. Bosse, Regensburg, 1932
  • Anton Bruckner – Sämtliche Werke, Band XXIII/1: Lieder für Gesang und Klavier (1851–1882), Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Angela Pachovsky (Editor), Vienna, 1997
  • Anton Bruckner – Sämtliche Werke, Band XXIII/2: Weltliche Chorwerke (1843–1893), Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Angela Pachovsky and Anton Reinthaler (Editor), Vienna, 1989
  • Cornelis van Zwol, Anton Bruckner 1824–1896 – Leven en werken, uitg. Thoth, Bussum, Netherlands, 2012. ISBN 978-90-6868-590-9
  • Uwe Harten, Anton Bruckner. Ein Handbuch. Residenz Verlag, Salzburg, 1996. ISBN 3-7017-1030-9.

External links

  • v
  • t
  • e
Anton Bruckner
Symphonies
  • Symphonies (1863–1896)
  • Symphony in F minor (1863)
  • No. 1 in C minor (1866/1891)
  • Symphony in D minor (1869)
  • No. 2 in C minor (1872/1877)
  • No. 3 in D minor (1873/1877/1889)
  • No. 4 in E♭ major (Romantic; 1874/1878–1880/1888)
  • No. 5 in B♭ major (1876)
  • No. 6 in A major (1881)
  • No. 7 in E major (1883)
  • No. 8 in C minor (1887/1890)
  • No. 9 in D minor (1896) (unfinished)
Other orchestral
  • Four Orchestral Pieces (1862)
  • Overture in G minor (1862–1863)
  • March in E-flat major (1865)
  • Symphonisches Präludium (1876)
Sacred works
Masses
Cantatas
  • Psalm settings (1852–1892)
  • Psalm 114 (1852)
  • Magnificat (1852)
  • Psalm 22 (c. 1852)
  • Psalm 146 (c. 1856)
  • Festive Cantata: Preiset den Herrn (1862)
  • Psalm 112 (1863)
  • Te Deum (1881–1884)
  • Psalm 150 (1892)
Motets
  • Motets (c. 1835–1892)
  • Pange lingua (c. 1835/1891)
  • Libera me (c. 1843)
  • Asperges me (1843–1844)
  • Two Asperges me (1844–1845)
  • Tantum ergo (1845)
  • Tantum ergo (1845–1846)
  • Dir, Herr, dir will ich mich ergeben (c. 1845)
  • O Du liebes Jesu-Kind (1845–1846)
  • Herz Jesu-Lied (1845–1846)
  • Four Tantum ergo (1846/1888)
  • Tantum ergo (1846/1888)
  • In jener letzten der Nächte (c. 1848)
  • Two Totenlieder (1852)
  • Libera me (1854)
  • Tantum ergo (c. 1854)
  • Ave Maria (1856)
  • Ave Maria (1861)
  • Afferentur regi (1861)
  • Pange lingua (1868)
  • Inveni David (1868)
  • Iam lucis orto sidere (1868/1886)
  • Locus iste (1869)
  • Christus factus est (1873)
  • Tota pulchra es (1878)
  • Os justi (1879)
  • Ave Maria (1882)
  • Christus factus est (1884)
  • Salvum fac populum tuum (1884)
  • Veni Creator Spiritus (c. 1884)
  • Ecce sacerdos magnus (1885)
  • Virga Jesse (1885)
  • Ave Regina caelorum (c. 1886)
  • Vexilla regis (1892)
Other works
Secular vocal
Cantatas
  • Cantatas (1845–1893)
  • Vergißmeinnicht (1845)
  • Entsagen (c. 1851)
  • Arneth Cantata: Heil Vater! Dir zum hohen Feste (1852)
  • Mayer Cantata: Auf Brüder! auf (1855)
  • Festgesang: Sankt Jodok sproß (1855)
  • Germanenzug (1865)
  • Helgoland (1893)
Lieder
  • Lieder (1850–1882)
  • Der Mondabend (c. 1850)
  • Frühlingslied (1851)
  • Wie bist du, Frühling, gut und treu (1856)
  • Herbstkummer (1864)
  • Im April (c. 1865)
  • Mein Herz und deine Stimme (1868)
  • Volkslied (1882)
Choral works
  • Weltliche Chorwerke (1843–1893)
  • An dem Feste (1843)
  • Das Lied vom deutschen Vaterland (c. 1845)
  • Ständchen (c. 1846)
  • Der Lehrerstand (c. 1847)
  • Sternschnuppen (c. 1848)
  • Das edle Herz (c. 1851)
  • Die Geburt (1852)
  • Vor Arneths Grab (1854)
  • Laßt Jubeltöne laut erklingen (1854)
  • Des Dankes Wort sei mir vergönnt (at the latest 1855)
  • Das edle Herz (1857)
  • Am Grabe (1861)
  • Du bist wie eine Blume (1861)
  • Der Abendhimmel (1862)
  • Herbstlied (1864)
  • Um Mitternacht (1864)
  • Trauungschor (1865)
  • Der Abendhimmel (1866)
  • Vaterlandslied (1866)
  • Vaterländisch Weinlied (1866)
  • Mitternacht (1869)
  • Nachruf (1877)
  • Das hohe Lied (1876–1879)
  • Abendzauber (1878)
  • Zur Vermählungsfeier (1878)
  • Sängerbund (1882)
  • Volkslied (1882)
  • Trösterin Musik (1886)
  • Um Mitternacht (1886)
  • Träumen und Wachen (1890)
  • Der deutsche Gesang (1892)
  • Tafellied (1893)
Chamber
  • Piano works (1850–1868)
  • Chamber music (1862–1879)
  • String Quartet (1862)
  • Rondo in C minor (1862)
  • Abendklänge (1866)
  • String Quintet (1879)
  • Intermezzo in D minor (1879)
Related articles
Category
  • v
  • t
  • e
German patriotic songs
Holy Roman Empire
Wars of Liberation
German Confederation
and
Revolution of 1848
North German Confederation
and
German Empire
Austria-Hungary and
First Republic of Austria
Nazi Germany
Germany since 1945
Category
Authority control databases: National Edit this at Wikidata
  • France
  • BnF data